I only found out about Alma Deutscher a couple of days ago. Because reasons. And I don't know whether she is a musical genius or just another musical prodigy. The Wall Street Journal says of her "A Girl Makes Music Without Irony or Ugliness."
What? No irony? No ugliness? What's her problem? As she says told the audience in Carnegie Hall last December:
So the modern artists think the world is an ugly place and art ought to reflect that.
Really? More ugly than Vienna at the turn of the 19th century when chaps like Beethoven were perpetually sick as dogs from the urban pathogens -- and lack of personal hygiene -- and Beethoven couldn't get it on with his aristocratic girl students because class barriers, darling.
Actually, I think the problem is that too many artists and composers get sinecures from universities and so don't have to develop a popular style to earn their Benjamins.
Anyway, Deutscher wrote a waltz about sirens:
But she does echo the pyschologists who say that the unconscious mind is the ruler of all.
Not that our Betters in the Gentry ever exploited, oppressed anyone. Oh no. Because they are the good guys.
You know. I would say that our modern problem is not that we are too ugly but that we are too bland. If anything, the appetite for ugly among the cognoscenti represents an effort to get away from bland and experience something real, something original.
And, of course, the easiest way to be original is to be ugly, or break something. Being beautiful is a lot harder. And imagining beautiful without getting into kitsch is harder still.
It's interesting, innit. Right now we are experiencing a number of teenage-girl phenoms, from St. Greta Thunberg of Climate to her German opposite Naomi Seibt. And now Alma Deutscher.
What I experience in Naomi Seibt and Alma Deutscher is a complete absence of postmodern cant. They almost sound like they actually read a book rather than recited teacher's lesson.
Considering my prejudice about Good Little Girls that hate and fear from day to day as they are carefully taught, it is a welcome dose of reality.
All I can say is God bless the good ship Alma Deutscher and all that sail in her.
What? No irony? No ugliness? What's her problem? As she says told the audience in Carnegie Hall last December:
But some people have told me that nowadays, melodies and beautiful harmonies are no longer acceptable in serious classical music, because, in the 21st century, music must reflect the ugliness of the modern world.Really? I admit I never thought of it that directly. But, as Rush Limbaugh says: she just nailed it.
So the modern artists think the world is an ugly place and art ought to reflect that.
Really? More ugly than Vienna at the turn of the 19th century when chaps like Beethoven were perpetually sick as dogs from the urban pathogens -- and lack of personal hygiene -- and Beethoven couldn't get it on with his aristocratic girl students because class barriers, darling.
Actually, I think the problem is that too many artists and composers get sinecures from universities and so don't have to develop a popular style to earn their Benjamins.
Anyway, Deutscher wrote a waltz about sirens:
In the piece, “Siren Sounds Waltz,” the music moves from the dissonant sounds of Vienna’s city center, with its noise and ambulance sirens, to a buoyant big-hearted waltz in which the “sirens” are made to sound like Homer’s rather than Vienna’s.What? Deutscher knows about those pesky sirens that bothered our pal Odysseus on his way home to Penelope in Ithaca? How did she ever get to do that in this world of "woke" education? Oh, I see...
“I don’t go to school,” she says. “I’m home-schooled. I read lots and lots of books about almost everything—history, geography, fiction, science, whatever. As long as they’re interesting.”But, but, but! How in the world does she have the time for a classical education when she is a concert level violinist and pianist and has composed a violin concerto, a piano concerto, and two operas?
But she does echo the pyschologists who say that the unconscious mind is the ruler of all.
She has spoken elsewhere of melodies coming to her from an early age, so I ask if they get in the way of her study. “Very often,” she says. “Sometimes when I’m talking to someone or trying to concentrate on something, a melody will come. It never comes when you want it to come.” But, she points out, “composition is not like inspiration that just comes out of the head and onto the page. It’s work. I have studied many scores. The greatest teachers are the old masters. I’ve studied the scores of Richard Strauss, of Beethoven, of Mozart and many others.”Deutscher raises an interesting question for me. How do we recover a tradition of beauty in art? From the people that insist that we live in an ugly world, riven by exploitation, oppression, hegemony, and all the rest. And that irony is the only thing?
Not that our Betters in the Gentry ever exploited, oppressed anyone. Oh no. Because they are the good guys.
You know. I would say that our modern problem is not that we are too ugly but that we are too bland. If anything, the appetite for ugly among the cognoscenti represents an effort to get away from bland and experience something real, something original.
And, of course, the easiest way to be original is to be ugly, or break something. Being beautiful is a lot harder. And imagining beautiful without getting into kitsch is harder still.
It's interesting, innit. Right now we are experiencing a number of teenage-girl phenoms, from St. Greta Thunberg of Climate to her German opposite Naomi Seibt. And now Alma Deutscher.
What I experience in Naomi Seibt and Alma Deutscher is a complete absence of postmodern cant. They almost sound like they actually read a book rather than recited teacher's lesson.
Considering my prejudice about Good Little Girls that hate and fear from day to day as they are carefully taught, it is a welcome dose of reality.
All I can say is God bless the good ship Alma Deutscher and all that sail in her.