The Juilliard School is, obviously, part of the ruling class. When you get a school, founded in 1905, devoted to academizing and bureaucratizing the performing arts -- music, dance, and drama -- to inject a steady stream of highly-trained professionals into the non-profit performing arts, well, it has to be part of the ruling class, holding up a mirror for the ruling class to admire itself.
And now the Juilliard School has got itself tangled, hook, line, and sinker, in the race wars.
See, according to the incomparable Heather Mac Donald at City Journal in "The Revolution Comes to Juilliard School," the Drama[!] Division is convulsed in race activism. See, the Drama Division is 50 percent black, and it looks like they are all "trained Marxists" from Black Lives Matter.
Now, according to Data USA, the Juilliard School in 2019 was 34.5% white, 11.9% Asian, and 6.25% black. So, if the Drama Division is 50% black...
See, back in June 2020, right after George Floyd Day, the students got up a petition, a Call To Action.
The Call to Action charged Juilliard with “systemic injustice.” It demanded an end to the school’s “almost completely Eurocentric” faculty, curriculum, and performances and a “complete in-person season featuring the works of BIPOC [Black, Indigenous, and People of Color] artists.” It called on Juilliard to create #BreonnaTaylor and #GeorgeFloyd scholarships in music, drama, and dance.
But get this. In the Drama Division things are much worse.
Its “racist environment is hazardous to BIPOC students’ bodies,” the letter charged. “Some students are silenced, broken, and limited by racism within the Drama Division . . . [They] have to endure harm and violence [and] sacrifice their physical and mental health every day in this institution.”
I suppose you could say that liberals had this coming. It is like the story of the submarine firing a homing torpedo that circles back and blows up the submarine that launched it.
Here are the things that, to me, are tragically comical about all this. If there is such a thing.
"Silenced, broken... mental health" Hello, honey! The whole point of the performing arts is that it is a brutal animalistic survival of the fittest and the best and brightest. Many are called, but few are chosen. Most likely, very few of the students in the Drama Division will go on to get a professional career after graduation. If you don't have the steel balls or intestinal fortitude to rise above your fears and hesitations, if you don't have the courage to confront your weaknesses, if you don't have the single-minded determination to succeed at all costs, if you aren't bat-shit crazy, then this performing arts world is not for you. Honey.
"Almost completely Eurocentric" Well, yeah! The whole point of the "arts" is that it is an expression of the highest and most exotic and most fancy-pants stuff imaginable. That means that the "arts" is going to be almost completely European high art, Hindu high art, Mughal high art, and Chinese high art. Everyone else need not apply. At least, not yet. My primary interest in the arts is with Drama and Music. I'm really interested in Shakespeare, and I'll watch an August Wilson play out of his "Pittsburgh Cycle." I really like Tom Stoppard, but frankly you can take your average lefty drivel and put it where the sun don't shine. Why? Because lefty playwrights and lefty directors are recycling dead-as-a-doornail memes from the last 200 years that have nothing to do with the meaning of life, the universe, and everything.
Only 11.9 percent Asian? I would expect the Music Division to be 75% Asian, because Tiger Moms. Unless, of course, there is racial discrimination going on. And I expect that the 50% blacks in the Drama Division are deeply conscious that they are mere flotsam and jetsam compared to the Tiger-Mommed kids in the Music Division.
See, back in the day, half a century ago and more, when I was a teenager, I understood that I was not going to go to Oxford or Cambridge for university. Because I wasn't brilliant, I wasn't a top-tier student, I wasn't driven, I just didn't care that much about dominating the world.
And one thing I would have understood perfectly would have been that, as a pretty desultory music student -- I had studied piano until my early teens -- I wouldn't have had a hope in hell of getting into a top-notch music school. By the way, I notice that all the music schools today are careful to notice how they are really into jazz and pop and electronic music.
But see, notice how the music schools are basically conservative. Jazz? None of the jazz greats went to music school. They learned it on the streets and from fellow musicians. Pop? The pop music greats didn't go to swank music schools. They figured it out on their own; that is the meaning of "garage band."
That's why they call music schools "conservatories." Because they are in the business of conserving the arts. Until some fool comes along and destroys the whole edifice, because "mental health" or "Eurocentric." And when some cool new art comes along, out of the street, then in the next generation the sons and daughters of the ruling class want in, because "coolness."
